No.1 Autographic Kodak Special
Specification

Manufacturer | : | Kodak(UK) |
---|---|---|
Produced | : | 1916 |
Classification | : | Medium Format |
Body Type | : | Folding Bed |
Bellows Deployment | : | Sliding Rail |
Construction | : | Metal/Bakelite |
Film Type | : | 120 |
Film Width | : | 62mm |
ImageSize | : | 2¼ x 3¼ in |
No. of Images | : | 8 |
Lens Type | : | Cooke Anastigmat |
Focus Type | : | Variable |
Focal Length | : | 120mm /4¾" |
Focal Range | : | 2m - 30m. |
Aperture Type | : | Iris |
Aperture | : | f/6.5 - f/32 |
Shutter Type | : | Velosto |
Shutter Speeds | : | T,B, I(1/300 - 1 sec) |
Size Closed (w x h x d) | : | 90 x 170 x 35 mm |
Size Open (w x h x d) | : | 90 x 170 x 145 mm |
Weight | : | 752g |
Art Deco Credentials
Noteworthy: Worth giving special attention
- Produced just before the main Art Deco period;
- Bakelite side panels;
- Attractive crosshatch pattern on the bakelite sides;
- Seal skin leather body covering;
- Abundant use of chrome highlights;
Description
The No.1 Autographic Kodak Special is a folding camera with sliding rail deployment. Later models had the 'Model A' designation. The focus is adjusted using a sliding tab that moves the lens forward for shorter focus.
The Autographic Special offered a wide variety of advanced lenses for the time. This model has the Cooke Anastigmat f/6.5 lens. A variety of other lenses were offered including the Zeiss Kodak Anastigmat, the Ross Homocentric f/6.3 and the top of the line Zeiss-Tessar f/4.5 or f/6.3.
The shutter is labelled as a Velosto No.1 which was in fact a Wollensak Optimo No.1 shutter, relabelled for the UK market. The shutter is capable of 1/300 to 1 second duration together with both 'time'(T) and 'bulb'(B) settings. The slow speeds on the shutter were provided by a piston and cylinder dashpot, which can be seen protruding from the shutter housing at about the five o'clock position. The shutter must be primed by lifting a lever. There is a connection for a remote cable release.
It has a viewfinder with a revolving mask on the lens standard that can be adjusted for both portrait and landscape images.
The body of the No.1 Special has Bakelite side panels with an attractive molded crosshatch pattern. The rest of the metal body has distinctively patterned long grain calf leather covering.
To insert and remove the film, the camera's back slides open at the midpoint after pressing a round button near the ruby window. The back must be replaced the correct way round to lock and ensure light tightness.
The Autographic door on the back of the camera, allowed the user to write brief notes on the border of each exposed image. A stylus is used to write on the back of the film. The pressure of the stylus makes the back transparent. The light from the back then exposes the film so the notes can be imprinted on the film.
There are two tripod mount for portrait and landscape mode.
Links
The following links give detailed descriptions of this camera and it's history.Kodak No.1 Autographic Special, Model A (1916)- Mike Eckman
Kodak No.1 Autographic Special, Model A - Mike Connealy
How to Use
This camera can take 120 film which easily available from photographic outlets.
Although the focus point can only be set to a maximum of 30 meters, the depth of field is such that objects at longer distance up to infinity will be in focus with any aperture setting between f/8 and f/32.
Shutter speeds can be varied from 1/300s down to 1 second and the aperture covers the range f/6.5 to f/32. To get the best out of this camera, a exposure meter should be used.
If you don't want to bother with an exposure meter, follow the guide shown. It is based on the 'Sunny 16' rule. Film is so forgiving and will produce acceptable results even when overexposed by 1 or 2 stops or underexposed by 1 stop.
Remember that the exposure guide in the camera user manual may not be helpful as it is based on the use of old film with a low ISO value.
The tables assume that the sun is at least 30 degrees above the horizon - that's 10am - 5pm on a summer's day (May-August) in the UK.
If you are not sure about the light level, err on the side of overexposure - i.e. assume the smaller f number.
Where there is a choice, a larger f number will give a larger depth of field.
For the slower speeds, you may need a tripod to stop blur through shake.
Using ISO 100/125
Key: Green - Good exposure; Amber - acceptable exposure; Red - unacceptable exposure. Number of stops over or under shown.
Weather Conditions | Shadow Detail | Shutter Speed (s) | ||
---|---|---|---|---|
1/50 | 1/100 | 1/200 | ||
![]() Snow/Sand | Dark with sharp edges | f/32 | f/22 | f/16 |
![]() | Distinct | f/22 | f/16 | f/11 |
![]() | Soft around edges | f/16 | f/11 | f/8 |
![]() | Barely visible | f/11 | f/8 | f/6.5 |
![]() | None | f/8 | f/6.5 | f/6.5 -1 |
![]() /Sunset | None | f/6.5 | f/6.5 -1 | f/6.5 -2 |