Barnet Ensign Ross Ful-Vue II
|Manufacturer||:||Barnet Ensign Ross|
|Body Type||:||Pseudo Twin Lens Reflex|
|Image Size||:||2¼ x 2¼ in|
|Focal Range||:||2m - inf.|
|Shutter Speeds||:||I*(1/40 sec), B|
|Size (w x h x d)||:||80 x 102 x 108 mm|
|* Measured on this camera|
Art Deco Credentials
Noteworthy: Worth giving special attention
- Produced after the main Art Deco period.
- Streamlined rounded corners.
- Bakelite lens plate
- Pressed steel body, cast viewfinder.
- Chrome embellishments.
- Shows a symmetrical front aspect.
Often referred to as Art Deco, this camera sits better in the Streamline Moderne category. Streamline Moderne is a late type of the Art Deco design style that emerged in the 1930s in America and continued into the 1940s. The style emphasized curving forms. The camera embraced the principals of streamlining as suggested by the American designer Harold van Doren in his book 'Streamlining in Industrial Design' of 1940. The original camera having this style was produced in 1946 for the 'Britain Can Make It' exhibition that was held at the Victoria and Albert Museum. A 'flash' model was brought out in 1950. In 1953 Ensign introduced coloured versions of the camera in red, blue and gold to mark the Coronation celebrations.
You can't help but notice the large viewfinder on the top of the camera - hence the name Ful-Vue. The viewfinder is easy to use and is exceptionally bright. The camera can be described as a pseudo twin lens reflex camera. It isn't a true TLR because the top lens is just part of the viewfinder and does not aid focussing. The film transport system is removed from the side when a knob is turned to release it on the other side of the camera. A knob is used to advance the film and proper framing is acheived by the use of a red window on the rear of the camera. Focus is achieved by turning the lens bezel on the front of the camera and the focus range is from 2ft to Infinity. A tripod mount is found on the base.
Shutter speed is fixed at about 1/40s with the aperture fixed at f/11. The shutter is released by pushing a lever below the lens upward. A switch provides for 'bulb' shutter mode. There is a flash synchronisation terminal on the front which was a new addition to the 1950s model.
How to Use
See Instruction Manual for the original camera is found here : https://www.butkus.org/chinon/ful-vue/ful-vue_guide.htm. The main difference to this camera is the focussing and the flash terminals. This camera takes 120 film which is easily available from photographic outlets or on-line.
If you don't want to bother with an exposure meter, follow the guide shown. It is based on the 'Sunny 16' rule. Film is so forgiving and will produce acceptable results even when overexposed by 2 or 3 stops or underexposed by 1 stop.
Remember that the exposure guide in the camera user manual may not be helpful as it is based on the use of old film with a low ISO value.
The tables assume that the sun is at least 30 degrees above the horizon - that's 10am - 5pm on a summer's day (May-August) in the UK.
This camera has an f/11 aperture and a shutter speed of about 1/40s
The slow shutter speed means that you need to hold this camera steady when taking photographs.
Using ISO 100/125 film - shutter speed 1/40s
|Weather Conditions||Shadow Detail||Aperture||Exposure|
with sharp edges
|Slight Overcast||Soft around edges||f/11||+1 Stops|
|Heavy Overcast||None||f/11||-1 Stop|